The Image of the Other in the Short Arab Story

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Adnan Hafez Joudeh, Jafar Farhan Atheeb

Abstract

      The research starts from the picture drawn by short story groups of positive and negative behaviors in Western society, which was raised in a culture and politics that differs from the politics and culture of Arab society, even if the human and moral commonalities are the same among the sons of the human race in Arab and Western countries, even if these ethics are organized by the laws and regulations of countries According to the beliefs and traditions in which the individual was brought up in any country. The ethics, religion and human interaction that the Western or Arab individual reflects, whether positive or negative, will certainly leave an impact on the culture, ambition and dealing of the individual in Arab or Western countries, and what we mean by the West specifically, Europe and later America, and this is based on the historical progress of European countries over America. The encounter between East and West has occurred twice in history: The first was when the legions of the Arab Islamic Empire arrived with its people, thought, and civilization to Europe starting from the seventh century AD, and what followed that of the huge and comprehensive influence of the Arab Islamic civilization in Europe, and the second time was when the Westerner reached our world through the gates of Egypt and the Levant through the Napoleon campaign and what followed it Means, a religious conqueror, a religious evangelist, a colonialist, a scholar and a teacher, and in light of the encounter between the East and the West and its repercussions and continuation, which left an influence and influence that is classified in the light of social and political positive and negative, and this is what made the West present in our minds as another beneficial to some and harmful to others. Accordingly, the research tried to uncover the insides of this influence and influence and monitor its extended manifestations in the perception of literary color in its two parts.

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