The Title And Its Strategies In Poetry Collections

Abstract

The title carries the identity of its text, which is its very identity, so that the text becomes an answer to the question of the title, as the latter announces the nature of the text, and from there announces the type of reading that suits this text. The title is in harmony with its text, and responds to its movement, as both of them combine as expressive tools to reveal what The creator's soul is filled with ideas and visions that the text and its title show together. Therefore, we cannot accept the idea of the existence of a title without a text that falls under the umbrella of its reference to it.

It is necessary to focus on the effectiveness of the largest title that the poet set for the poetry collection in shaping the structure of the other subtitles and the extent of their relationship to their texts, then the extent of their relationship to each other, and between them and the rest of the thresholds in terms of semantic or formal connections, after studying the titles in terms of their formation as an aesthetic composition that deserves to be examined and explained. The privacy of the creator in producing his titles that indicate his poetic experience.